Malcolm Moran, Horse, monotype

Al Held, 60-104, 1960, india ink on paper: 18 x 23 3/4 inches

Dan Rizzie, Raven's Garden, 2004, aquatint, 24 3/8 x 19 3/8 inches #6/25

Susan Williams, Muir Beach, study, 2017, mixed media on acetate: 8 1/2 x 11 inches

Robert Motherwell, Magpie, 1952, ink on paper: 27 1/2 x 21 1/2 inches

Susan Williams, Marin Headlands Nocturne study, 2017, mixed media on acetate: 8 1/2 x 11 inches

Malcolm Moran, A Young Man Preparing for His Future, 1990, gouache on paper: 8 x 4 1/2 inches

Malcolm Moran, The Bishop #2, 2014, monotype: 12 x 18 inches

J William Middendorf II, Bull's Eye, 2017, mixed media: 11 1/2 x 11 1/2 inches

J Alden Weir, Three Dogs by a Fire, etching on paper 8 x 11 inches

Percival Rosseau, Setter, etching: plate size: 8 x 6 inches

Geoffrey Gorman, Buffel Will Not Bark, 2017, mixed media/found objects: 12 x 10 x 8 inches.

Rafael Soares, Zebra, 2018, watercolor on paper: 10 3/4 x 13 1/2 inches

Bryan Nash Gill, Pine Plank II, 2011, relief print, framed size: 78 3/4 x 29 9/16 inches

J William Middendorf II

Al Held, 65-A20, 1965, india in on paper: 22 1/2 x 34 inches

Alexander Liberman, Sun Dial, 1991, aluminum: 6 3/8 x 6 1/2 x 3 inches

Everett Warner, Winter in the City, woodcut, plate size: 3 9/16 x 3 1/2 inches

Russell Sherman, A Quiet Pool, c. 1940, lithograph: 8 1/2 x 14 inches

John Rogers Cox, Wheat Shocks, lithograph: 8 3/4 x 11 3/4 inches

Rafael McKenzie Soares, Mouse, 2018, watercolor on paper: 6 1/2 x 8 inches

Asa Cheffetz, The Road Home, c. 1935, wood engraving, 5 3/4 x 9 1/2 inches

J Henry Fair, Anna Cady, gelatin silver print: 12 3/4 x 18 7/8 inches, 1/12

Joseph Stella, Pittsburg II: Italian Leader, 1908, crayon on paper laid down on board: 17 3/8 x 13 1/2 inches

Susan Williams, Open the Floodgates, study, 2017, oil on acetate: 8 1/2 x 11 inches

Susan Williams, Passageway 1, 2013, oil on panel: 24 x 24 inches

Elizabeth Downing Sartorius, Lake, 

Malcolm Moran, A Japanese Crow, monotype: 15 x 19 1/4 inches

Julie Betts Testwuide, Great Blue, 2017, Camargue, France, limited edition print on photo rag paper: 20 x 30 inches, 2/30

Mike Glier, The Forests of Antarctica #78, 2013, oil on aluminum: 50 x 40 inches

Robyn Geddes, Seagull, acrylic and silkscreen on panel: 14 x 14 inches

Childe Hassam, Helen Wills at Easthampton 2, etching 8 3/4 x 4 7/8 inches, inscribed to Wills, lower right

J Henry Fair, Old Slave Market, gelatin silver print: 16 x 20, #1/8

Stow Wengenroth, New England Village, Castine Maine, c. 1945, lithograph: 7 3/4 x 14 1/4 inches

Julie Betts Testwuide, Porch 2, 1985, printed in 2018, black and white fiber print from negative: 9 x 13 inches

Stow Wengenroth, Evening, Maine, c. 1945, lithograph: 11 x 16 inches

Frances Middendorf

Julie Betts Testwuide, Porch 1, 1985, printed in 2018, black and white fiber print from negative: 9 x 13 inches

Linden Frederic, Orchard Keeper, 1998, etching: 5 1/2 x 10 inches

Dan Rizzie, Aspidistra, 2004, etching, 27 1/2 x 22 1/2 inches #7/25

Mike Glier, The Forests of Antarctica #60, oil on aluminum: 62 x 42 inches

Rebecca Smith Ford, Dogwood, oil on panel: 12 x 12 inches

Ben Shahn, Tree, ink on paper: 9 1/2 x 13 inches

Bryan Nash Gill, Honey Locust, 2012, relief print: framed size: 26 15/16 x 27 1/8 inches

Elizabeth Downing Sartorius

Susan Williams, Tree, 2013, oil on mylar: 28 x 24 inches

Ben Shahn, Tree, ink on paper: 9 1/2 x 13 inches

Mike Glier, July 4, 2012, Croak, Hoosick, NY, 82 degrees F, 2012, gouache on paper: 16 1/2 x 18 inches

Rafael Soares, White Cow, 2015, watercolor on paper: 11 x 13 1/4 inches

Elizabeth Downing Sartorius

Frances Middendorf

Frances Middendorf, Perfume Bottles, 2015/18, drawing in fan form: 9 1/2 x 18 inches

Mike Glier, July 21, 2012: Money Brook, Williamstown, MA, 72 degrees F, 2012, gouache on paper: 11 1/2 x 14 inches

Frances Middendorf, Neptune and Lemons, 2015/18, drawing in fan form: 9 1/2 x 18 inches

Malcolm Moran, The Spirit of the Angry Beast, 2015, monotype: 14 x 14 inches

Malcolm Moran, Hooves at Work, 2015, monotype: 12 x 12 inches

Julie Betts Testwuide, Rush in the Camargue, 2017, Camargue, France, limited edition print on Hahnemuhle photo rag paper: 20 x 30 inches, 1/50

Frances Middendorf

Mike Glier, Study #2,The Forests of Antarctica #216, 2016, acrylic oil on primed paper: 42 7/8 x 68 1/2 inches

Malcolm Moran, Horse and His Ride Returning, monotype: 22 x 25 1/2 inches

J William Middendorf II

Rafael McKenzie Soares, White Horse, 2017, watercolor on paper: 13 1/4 x 10 1/2 inches

Malcolm Moran, The Beast and His Burden, 2015, monotype: 12 x 12 inches

John Gibson, Hermosa Beach, 2014, oil on panel: 27 x 96 inches

John Gibson, John #62, 2002, oil on panel: 18 x 15 inches

J Henry Fair, Port Lavaca,Texas, c-print: 30 x 25 inches, 1/8

J Henry Fair, Arsenic and Water, c-print: 19 1/5 x 13 1/4 inches, 1/12

J Henry Fair, Warehouse at Abandoned Furniture Factory, c print: 13 1/3 x 19 1/5 inches 1/12

Robyn Geddes, Red Crow, 2016, acrylic and silkscreen on wallpaper: 18 x 11 inches

Robyn Geddes, Crow, Red, 2015, acrylic and silkscreen on panel: 14 x 14 inches

Geoffrey Gorman, Foxygen, 2017, mixed media/found objects: 13 x 13 x 8 inches

Rebecca Smith Ford, Pinky, 2017, oil on panel: 11 x 14 inches

Malcolm Moran, Pelican's Minding His Own Business #3, 2011, monotype: 22 x 20 inches

Malcolm Moran, Red Horse in Green Field, 2010, monotype: 13 x 17 inches

Malcolm Moran, Bird Reflecting its Shadow, 2009, monotype: 17 x 12 inches

Malcolm Moran, Mr. Crow's Friend, 2012, monotype: 22 x 19 inches

Frances Middendorf, Le Silo, hand colored etching,  9 x 6 inches

Frances Middendorf, Dress, hand colored etching: 9 x 6 inches