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ABSTRACTION
“The vivid color photographs of J. Henry Fair lead an uneasy double life as potent records of environmental pollution and as ersatz evocations of abstract painting.. information and form work together, to devastating effect.” -Roberta Smith, The New York Times, 14 January, 2011
ABSTRACTION
“The vivid color photographs of J. Henry Fair lead an uneasy double life as potent records of environmental pollution and as ersatz evocations of abstract painting.. information and form work together, to devastating effect.” -Roberta Smith, The New York Times, 14 January, 2011
Plume of Foam in Bauxite Waste from Aluminum Refinery
Pulp Waste from the Manufacture of Facial Tissues
Coal Slurry-Residue of Water and Chemicals after Coal is Washed
Phospho-Gypsum Fertilizer Waste
Tracks in Bauxite Waste
Rio Tinto Mine
Mining Waste
Waste Impoundment at Copper Mine
Coal Ash Waste at Electricity Generation Station
Top of Oil Tank at Tar Sands Upgrader
Molten Sulphur from Tar Sands Upgrader
Oil from Deepwater Horizon Spill on the Gulf of Mexico
Bottom Ash Disposal Pond at Coal-Fired Power Plant
Heavy Metal Waste from Fertilizer Production
Waste Impoundment at Kiruna Iron Mine
Patched Roof at Pulp and Paper Mill
Sulphur Waste Pit at Oil Refinery
Salt Waste from Potassium Mine
